Believe in love. Or else.

Think Cupid is a gentle god with wings on his back and compassion in his heart? Think again. When cynical divorce lawyer Dean incurs the wrath of Aphrodite, he finds himself forced into an occupation he’d never have believed possible. Saddled with the powers of Cupid, he is forced to hear everyone’s lovelorn thoughts - in song form! Surrounded by would-be couples, Dean finds that the only way to make the singing stop is to do the unthinkable: play Cupid. With a lighthearted variety of love stories to bring to fruition, Dean has his work cut out for him, and he’s not happy about it. If you’ve ever yearned for a matchmaker to swoop in and make your romantic dreams a reality, watch out. This ain’t no baby in a diaper.

 Cupidity is a comedy in two acts. 

PRODUCTIONS/RECOGNITION:

Staged Reading in 2026 at Forge Theatre in Phoenixville, PA

Full Production in 2016 at Kirk's Studio for the Performing Arts in Scottsdale, AZ

Winner of the 2009 Studio 204 Competition at the University of Massachusetts Amherst

Student Production mounted in 2009 at the University of Massachusetts Amherst

 

REVIEWS/TESTIMONIALS:

"In the world of her play Cupidity and several others, the mythical is not dead – it lives on, separated by gossamer threads, and for some of us, myths do indeed come to life... I stand in awe of her prolific writing, her sense of dialogue and timing, and I seek to emulate her knack for the mythical...I say that the theatre world at large cannot afford to miss the work of Jamie Maletz." (Joshua G., "Cupidity" cast member, transpersonaltheatre.wordpress.com) 

Break Down

Cast/Set Requirements and Production Details

Cupidity is in two acts and lasts approximately two hours. There are minimal dancing requirements.

CAST SIZE: 9-20


PRINCIPALS
1 Woman
1 Man

SUPPORTING/FEATURED: 12 People
Through unisex names and careful musical planning, this show is written so that most of the couples could be played by any combination of genders/sexualities.


CHARACTERS

DEAN: An arrogant, stubborn divorce lawyer who is cynical about love. He is very opinionated and competitive, and he thinks that he knows everything and can win at everything. He is so used to anticipating every possible outcome and having an intelligent plan to deal with it that when he finds himself in an unexpected position, he freaks out. Vocal Range: Baritenor (C3-G4)

VICTORIA: A capable, strong, intimidating divorce lawyer (and Dean’s rival). She has incredible empathy, but expresses it via fierce protection and firm guidance (if she’s on your side) and ruthless attacks (if she’s not). She is proactive and likes to win, but only if she won fair and square. She is terrified of being vulnerable, and of other people seeing her as a vulnerable person, because she does not ever want to get hurt again. Vocal Range: Mezzo (A3-Eb5)

NICK: Dean’s paralegal. Seemingly helpful and sincere, but with a shallow and arrogant side (which he is aware of and trying to keep in check). A former high school jock and bully who believes he is a much better person now. Vocal Range: Tenor or Alto (D3-A4)

WALKER: Dean’s confident and practical receptionist. She is very upfront and unapologetically herself. She earned her confidence by going through a lot of bullshit and learning to not care about it. Vocal Range: Mezzo (Bb3-F#5) OR Baritone (Bb3-F#4)

ZOE: Dean’s sister. She is soft-spoken and meek. She is currently unsure of pretty much everything in her life. She is afraid of definitively figuring out what she wants, because then she would have no excuse for not going for it. But at the same time, she desperately wants to figure it out. Vocal Range: Mezzo (Bb3-F5)

SUMMER: Dean’s quirky but laid-back ex-girlfriend. She is resolute and secure in herself, and she seems “cool”, but she avoids drama at all costs, shying away from problems rather than letting herself get worked up over them. Vocal Range: Alto (E3-B4)

SAM: A former client of Dean’s whose divorce was completed about a year ago. Extremely insecure, but also can’t help being generally enthusiastic. Sam is so busy trying to put herself out there and find love again, she doesn’t see what is right in front of her. Vocal Range: Mezzo (C#4-F#5) OR Baritone (C#3-F#4)

CASEY: The owner of The Sandbar (restaurant/bar where Dean is a regular). Sweet, sensitive, almost suave, fun, and warmly supportive. Basically, exactly the type of guy you would expect to be friendzoned. He’s been in love with Sam for years. Vocal Range: Baritone (C3-F4) OR Mezzo (C4-F5)

MAX: Dean’s best friend. He is patient, stoic, and kind, and tends to assume things will work out as long as he keeps working calmly towards the desired outcome. But when things do pile up enough that he starts to get overwhelmed, he tends to implode. Vocal Range: Baritone (Ab2-F4) OR Mezzo (Ab3-F5)

ADRIAN: A manager at the St. Augustine Pirate & Treasure Museum, and Max’s fiancée. Well, former fiancée, unless Dean can fix things. He is caring and organized, but also incredibly emotional, easily flustered, and uptight. Vocal Range: Tenor OR Alto (D3-C#5)

APHRODITE: The goddess of love, and she’s a foul-mouthed, bitchy, feisty diva. Unfortunately for you, she has a short temper and a scary streak, and she gets impatient easily. Vocal Range: Soprano (Ab3-Ab5)

CUPETTES: Aphrodite’s minions. They follow Dean around, observing, singing back-up, and reporting back to Aphrodite. Vocal Range: Dove is a Soprano (Bb3-Bb5), Myrtle is a Mezzo (Ab3-F#5), Sparrow is an Alto (F#3-Eb5)

 

Set Requirements
 
This musical is set in present day, St. Augustine, Florida. Most of the scenes are in Dean’s office (he has a private practice Family Law firm and specializes in divorces) or at the beach/The Beachcomber restaurant (which is right on the beach). There is one scene at The St. Augustine Pirate & Treasure Museum.


 

Requesting Rights

The Perusal Packet is free, and it contains a full synopsis, script excerpt and sheet music excerpt. Email jamie.maletz@gmail.com to request one.

Jamie Elizabeth Maletz is a composer/lyricist, bookwriter, and producer of new works of musical theater. In New York, her works have been featured at Lincoln Center, Feinstein's/54 Below, Joe's Pub, and more. She received her MFA from the Graduate Musical Theatre Writing Program at NYU Tisch. Maletz has written 12 full-length original musicals, most of which have received workshops/readings or productions in New York and Arizona. As a composer/lyricist, Jamie has studied with Mindi Dickstein, William Finn, Rachel Sheinkin, Michael John LaChiusa, Steven Lutvak and Sybille Pearson. Jamie has worked for Maestra Music, Tom Viertel/The Commercial Theater Institute and Ken Davenport.

She is a member of Maestra and ASCAP.

Maletz received her BA from the University of Massachusetts Amherst in 2011, where she designed her own major: Creative Writing and Composition for the Performing Arts. She spent her high school years at Boston Arts Academy, a performing arts high school from which she graduated as Valedictorian.

She is a monster enthusiast & mythology nerd, she loves board games, and she is a photographer/videographer whose favorite models are her goofy cats. 

 

 

Please consider donating to support Jamie's ongoing projects:

  • Virtual performance videos to showcase original new songs and talented performers
  • Semi-regular concerts presenting new works of musical theater
  • Development of the full-length musical The Valley, written by Jamie Maletz and Eric Fegan

Every little bit helps!

 

Subscribe to Jamie's email list for news and performance updates

* indicates required